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Blogging for Fictioneers

October 17, 2011 by Kristy S. Gilbert 4 Comments

Lately there’s been a bit of hoopla surrounding blogs that belong to fiction writers, or writers that expect blogs to be a means to building a platform. Last week Roni Loren shared a post in which she rants about blogging, and she sums up the arguments and annoyances several people have voiced about author’s blogs. When you’re a fictioneer, what should your blog be doing for you?

Reasons to Blog

There are a few reasons why a writer would decide to blog:

  • To gain personal validation by whispering (or shouting) into the interwebs
  • To engage in a community
  • To gain exposure (i.e., build a readership platform or name recognition)
  • To drive sales

If you’re posting when you feel like it, responding to comments when you have them, and commenting on others’ blogs, you’ve got the first two reasons down pat. If those are the only two you have in mind, you’re golden. But if you want the last two, you’ve got to think about the way you blog a bit more, and you may need to do things a little differently than you expect.

One of the main gripes about writer blogs that Loren addresses is that writers who blog about writing are only engaging other writers, and many aspiring author blogs devolve into something nearing drivel. If you are blogging to reach readers, you need to be writing posts that appeal to them, not your critique group. You should also make the content engaging, not just whatever you were thinking that day. Illustrator and art director Jon Schindehette points out that random madness will not engage a readership/viewership, even if eclectic posting makes you feel better.

Reader-focused Blogging

If you want to engage a readership and not just the writing community, you need to write posts aimed at your target audience. To do that, first determine what about your writing will appeal to a reader.

  • Do they like action? Write about your favorite action sequences in film or about martial arts, explosions, or weapons.
  • Are they into crazy science? Write about the bizarre bioluminescent chemical recently discovered in a deep-sea fish or dark energy.
  • Is your writing in a specific genre with an active fandom? Review other pieces of work in your genre or talk about what makes the genre great.

For example, for a couple of years now I’ve had an idea for a story about a spice caravaner and a cook. Spices feature prominently, as does food in general. I know that if I were to write and publish this story I would share recipes for meals in the book, spicelore, and spice-related history on my blog. It relates to my story and it relates to readers.

There are plenty of other things I could write about for that story, and there will be plenty of reasons why readers will be engaged in your novel. You don’t have to pick just one.

Balanced Blogging

Does everything need to be reader focused? Heck no! You should be yourself, and if you’re a writer, you think about writing. But you should consciously include posts that talk about things your readers like and things they want to know or hear. In my example, I wouldn’t necessarily need to start a dedicated food blog where I posted nothing but bizarre things I’ve learned about cinnamon. But I’d do food-based posts occasionally, because it would be relevant to my readers and could be shared with non-writers who have not read my books. I’d engage with non-writers who are interested in those topics (i.e., I’d expand my “engage in a community” reason for blogging beyond the borders of book creators).

The things you share can widely vary. They might be video games, other books, movies, annotations to your stories, poetry, sailing, science, spacecraft, or cooking. If the ideal reader for your book would enjoy it, write it. Then share it.

When someone who has read your book comes to visit your blog, that reader is looking for you, so you shouldn’t smother who you are or what you think about. Just curate your thoughts and target them. If you want to try to engage new readers with your blog, you have to keep in interesting for someone who reads the sort of things you write, but who doesn’t know you or have an interest in writing his or her own novel.

Balance your blog: express yourself, but target those expressions. Meandering blogs soon see readers meandering away. Balance your focus: if you’re a fiction writer who also blogs, you should make sure you’re not putting more weight on your blog than your fiction. Unless you’re a blogger first and a fiction writer second, you shouldn’t allow your online activities to overshadow your stories when you’re creating. Stories reach readers; occasionally blogs help the stories get in readers’ hands.

Filed Under: Publishing Tagged With: blogging, Jon Schindehette, marketing, Roni Loren

An Alternative to Publisher Branding?

September 26, 2011 by Kristy S. Gilbert 4 Comments

Zebra herdAs Nathan Bransford has pointed out, branding and credibility are two things publishers have a great grasp of. A book gets a boost when it has a certain imprint’s logo on its spine, and the name recognition of some brands can give a debut author a leg up he or she wouldn’t be able to achieve on their own. Since most readers—most consumers, really—tend to go with names they trust, this branding and name recognition is a huge aspect of marketing that indie authors miss out on.

(To any of you who doubt that publishers’ brands have a strong pull, look to Angry Robot, whose bestselling item in their online store is a yearly subscription to their ebooks, sight unseen, and to the rabid Baen readership.)

Personal Branding and Group Branding

Most indie authors strike out to create their own personal brand associated with their name and style, and some of them do quite well—Amanda Hocking and John Locke, to name two. Traditionally published authors also achieve personal brands beyond their publishers—Tom Clancy is a good example there. But I wonder if group branding could be beneficial to indie authors.

Group branding, like that available via publishers to traditionally published authors, gives immense benefits to new or little-known authors as they’re building their own platforms and personal brands. Indie authors start with even less credibility than a debut traditional author, so I believe group branding is something they could definitely look into.

Currently I’m just musing, and I hardly have any hard and fast answers in this regard, but I wonder if some sort of group branding will emerge in indie publishing. A form I believe could be effective is a sort of authors club in which like-minded authors build a reputation as a group as well as individuals. An individual reputation could lend to the overall marketing draw of the group, and the group reputation could lend itself to newer writers.

Authors Clubs in Action

I’ve seen something like this work with writers already out on the market. Though Brandon Sanderson, Dan Well, and Howard Tayler all tell stories in different styles (and mediums), readers of one storyteller will often end up sampling the work from one of the others simply because these three do so much together (Writing Excuses, for one example). Dean Wesley Smith and Kristine Kathryn Rusch share a similar sort of group branding because they’re married and do a lot together. Each author retains an individual identity within the group, but they draw readers to each other by virtue of the group. For example, when Mary Robinette Kowal joined Writing Excuses, my (already existing) interest in her book, Shades of Milk and Honey, grew because she associated with a group of people I was already familiar with.

Indie authors could likely achieve something similar. They could produce something together (like Writing Excuses) and promote each others’ individual works. Perhaps when someone came out with a new book, the authors in the group could all pool together and write an anthology of short stories based in the same world, using the same characters, or centered on the same theme that could be used to drive buzz and interest.

Practical Matters and Considerations

Of course, there a small difficulty of determining how you would go about creating some sort of authors club. The default answer would be to get your friends or writing group together and make that your club. This would present problems if your club needed to do some quality control and one member wasn’t quite up to the same level as the rest of the members; you’d be so tightly knit together that the interpersonal issues could create more drama than it’s worth. You could also try to attract a group of authors who have similar views on what stories and writing should do (entertain, enlighten, enlarge, etc.), or you could create a band of individuals who write with similar styles, in the same genre niche, or on the same topic (which would be especially useful for nonfiction).

Maybe you could try out a few mutually promotional anthologies or blog tours to test out the relationship before really going full bore on it; maybe you already have a group you work well with and you’d just need to share your brains a bit before you could make it work. There would be a lot of things that needed to be ironed out. Do you need a formal agreement? How do you determine who joins your club? How do you control quality and standards? How you do kick someone out? Can you kick someone out, and will you ever want to? Will anyone be “in charge”?

Bottom line, it could be really tricky to create a successful group for branding purposes. The Writing Excuses crowd are all friends, and Smith and Rusch are married, so their groups formed more or less organically. But I think the benefits of having a group pool of branding capital could be extremely beneficial for writers who are looking to strike out on their own. Yeah, “group branding” and “striking out on your own” are a bit paradoxical. But there’s a reason publishing has consolidated into a handful of large groups. It’s because a group has more opportunities than an individual, and in optimal circumstances the group flourishes when its individuals do, and individuals flourish my nature of belonging to the group.

The future and place of group branding in indie publishing efforts is something I’m curious about and keeping an eye on. What are your thoughts?

Image by Worakit Sirjinda via FreeDigitalPhotos.net

Filed Under: Publishing Tagged With: Amanda Hocking, Angry Robot, Baen, branding, Brandon Sanderson, Dan Wells, Dean Wesley Smith, group branding, Howard Tayler, indie publishing, John Locke, Kristine Kathryn Rusch, marketing, Mary Robinette Kowal, Nathan Bransford, Shades of Milk and Honey, Tom Clancy

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